Trama del tempo
Trama del tempo , 2024
80 x 60 x 4 cm (h x w x d)
Reclaimed antique weathered wooden planks found abandoned on the beach, traces of original yellow pigmentation, rusted iron wire binding.

Monica Ragno is an Italian architect and artist practicing professionally in Genoa. In parallel, their research focuses on what discarded materials can still offer, attentively listening to the material elements. Whether dealing with forgotten fragments, industrial waste, or construction components, the artist redeems these forms to explore their latent potential. Their work distances itself from the superficial condemnation of waste, recognizing within common elements a possibility of solemn beauty and structure. Suspensions, structural bonds, and chromatic interlocks thus create salvation, embraces, and profound states of mind. This approach grants wounded or fragmented matter a new possibility of survival and novel geometric and emotional equilibria. Within this production, every artwork shapes itself as an authentic fragment of the artist's soul.

Trama del Tempo

Reclaimed antique weathered wooden planks found abandoned on the beach, traces of original yellow pigmentation, rusted iron wire binding.
40x30x4cm, 2024

This artwork functions as a direct materialization of the unsaid and the forgotten, responding organically to the core concept of "Silenced." Built from deeply scarred wooden planks found abandoned by the artist on the beach after being washed ashore, the piece carries the chronological layers of its past and its maritime transit. Monica Ragno treats the matter as a silent witness to a forgotten memory. Through the surgical gesture of the rusted iron wire, the artist emphasizes the act of recovery without altering the original nature of the element. The metallic constraint tightly binds the fractured wood, acting as a structural metaphor for protection, restraint, and therapeutic containment. Projecting sharp shadows through grazing light, the total absence of movement transforms into a dynamic spatial device. "Trama del Tempo" refuses decorative comfort, standing as an architectural section of memory where the silent decay speaks louder than words and where wounded elements find redemption through a quiet structural lock.

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