The past two years of the pandemic have had a significant impact on my art practice, and this body of work allows me to capture and reflect on my experience as a university student studying remotely, as a long-distance partner to my boyfriend, as a migrant being in their home country, as a victim of the pandemic, and as someone who has fallen into the cracks.
I started making this body of work in mid-2021. Having very restricted physical and mental space, continued creation became extremely difficult. Simple materials and processes allowed me to talk to myself during that challenging time. With this body of work, colour, background, or anything to create a context for the subject to exist within, is stripped away. The bugs are left completely “naked” in the void. This blank nothingness best represents the state that I was in. Like the bugs, I was falling through the void, waiting for a non-existing landing. However, reflecting back, it is also like growing. At the bottom of a pit, we are extending our legs, and reaching back up ever so slowly.

过去两年的疫情对我的艺术工作造成了巨大的影响，而这组作品则是捕捉并反映出我作为大学生上网课、作为恋人与男友相隔两地、作为移⺠却身处原籍国、作为疫情的受害者以及作为一个被遗忘的个体的多重复杂经历。
2021年中，我开始创作这组作品。期间受制于非常有限的心理及身体活动空间，持续创作变得极为困难。但在那段困难时期，简单的材料和工艺给了我与自己对话的机会。本组作品的主题所依赖的色彩、背景或任何情境均被彻底剥离。虫子在虚空中完全“裸露”，而处于这虚空中又是我曾经状态的最佳诠释，就像这些虫子 一样，我在虚空中坠落，等待不存在的着陆。但现在回想起来， 这也是一种成长。在坑底，我们将腿伸展，缓缓地爬起来。