View of Bernal Heights and 101/280 interchange, San Francisco, CA , 2020
8 x 10 in (h x w)
Daguerréotype

This contemporary daguerreotype view, taken on 7/29/20 at 4 PM, depicts the state of quarantine, an empty freeway interchange, and houses with families sheltering-in-place. This view harkens back to the San Francisco Gold Rush days of the 1850s, the 1906 San Francisco earthquake and fire, or the 1989 Loma Prieta earthquake–it all summoned catastrophe and the shaping of the Bay Area.

Other works by Binh Danh

Barracked , 2005
9.5 x 11.5 x 0.1 in (h x w x d)
Chlorophyll print and resin; Gregory Allicar Museum of Art, CSU, museum purchase made possible by the FUNd, 2008.1
Gregory Allicar Museum of Art
Reflections in Black by Deborah Willis, from the On Photography series , 2020
12 x 10 in (h x w)
Gregory Allicar Museum of Art
Camouflage, from "Life, Times, and Matters of the Swamp series" , 2006
22.3 x 15.8 in (h x w)
Chlorophyll print and resin
Gregory Allicar Museum of Art
The Crosses of Lafayette, CA , 2016
8 x 10 in (h x w)
Daguerréotype
Gregory Allicar Museum of Art
Phụng Anh Duong's garden, Morgan City, LA, from the "Xanh, LÀ" series , 2018
40 x 50 in (h x w)
Digital print
Gregory Allicar Museum of Art

More from Gregory Allicar Museum of Art

Clara Hatton: A Vision for Art at CSU
48 x 36 in (h x w)
Gregory Allicar Museum of Art
Clara Hatton's paint box
16 x 16 x 16 in (h x w x d)
Gregory Allicar Museum of Art
Clips with monograms and pin , ca. 1930 (clips)
5.3 x 8 x 1 in (h x w x d)
Silver and enamel
Gregory Allicar Museum of Art
Table runner (blue)
53.3 x 13.5 x 0.2 in (h x w x d)
Woven cotton; collection of Todd Goodheart
Gregory Allicar Museum of Art
Table runner (red)
31.3 x 15.1 x 0.2 in (h x w x d)
Woven cotton; collection of Todd Goodheart
Gregory Allicar Museum of Art