The Remaining Grains of the Hourglass
8.5 x 11 x 0.5 in (h x w x d)
Oil on board
sold

I think of my work as psychological realms that depict elements of reality. I am interested in the relationships between figures, and their surroundings. I consider myself a voyeur to these scenes; watching quietly from a distance.
I also make paintings that depict disheveled domestic spaces. These works in particular engage themes of chaos, loss, and mental health. I am interested in the idea of cultural erasure, by way of war, socioeconomic changes, the outsourcing of jobs, and deindustrialization.
I am interested in the idea of subtraction; the removal of material things from a place, or the removal of individuals from their dwellings. Elements of our culture are reflected in what we leave behind. Using dilapidated interiors as a tableau, I seek to challenge the parameters of taste and engage with reality, including its abject elements.

Mehr von Touchstone Gallery, since 1976

SWEET OLD WORLD: RELIC
7.5 x 7.5 x 2.5 in (h x w x d)
Aluminum, interior of Blackberry handheld device, silver and steel, treated and found objects, light, mixed media.
Touchstone Gallery, since 1976
USD
3500.00
SWEET OLD WORLD: STATE OF PLAY
16 x 11 x 9 in (h x w x d)
Teak, sycamore root, clay, songbird egg and wing fragment, OLED display, lights.
Touchstone Gallery, since 1976
USD
3500.00
ONE SWEET WORLD: VESTIGES OF HOPE
26 x 21 x 14 in (h x w x d)
Teak, raven wing, dried garlic blossoms and paper tree bark, organic mixed media.
Touchstone Gallery, since 1976
USD
4500.00
ONE SWEET WORLD: CAUSES AND CONDITIONS
21 x 17 x 13 in (h x w x d)
Teak, hydrocal cast forms, dried agave, organic mixed media.
Touchstone Gallery, since 1976
USD
6500.00
Temporal Presence
40 x 216 in (h x w)
Augmented Reality Photograph and Digital Plotter Print
Touchstone Gallery, since 1976