Clips with monograms and pin , ca. 1930 (clips)
5.3 x 8 x 1 in (h x w x d)
Silver and enamel

Hatton likely studied metalsmithing at the University of Kansas, home to the oldest metalsmithing program at a public university in the United States. The clips date to her time as a student there, where she would have learned the etching and oxidization techniques that outline the initials of her sister, Ora Hatton Schade, and brother-in-law, George Edward Schade. She also learned to set gemstones using bezels, as seen in the black opal pin. Although metals would not be the focus of Hatton's personal practice, she lobbied to establish a metals studio at CSU and taught the first course in "Metals and Jewelry" in 1945.

Mehr von Gregory Allicar Museum of Art

Still Waters , 1933
11.8 x 9 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Peggy Bent in memory of her husband, Joseph G. Bent, 2018.5.4
Gregory Allicar Museum of Art
Night Moth, from "Bugs: A Portfolio" , 2000
12 x 16 in (h x w)
Inkjet print on paper; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2005.143.5
Gregory Allicar Museum of Art
Dark Vision , circa 1955
11.9 x 7.9 in (h x w)
Gouache on board; Gregory Allicar Museum of Art, CSU, gift of the Martha Randolph Daura Collection, 2019.5.10
Gregory Allicar Museum of Art
Untitled , 1984
50 x 25.8 in (h x w)
Charcoal and paint on canvas; Gregory Allicar Museum of Art, CSU, gift of Linny and Elmo Frickman, 2018.2.15
Gregory Allicar Museum of Art
Mis-Match from The Mis-Nomer Pageant , 1992
17 x 12.3 in (h x w)
Archival pigment print; Gregory Allicar Museum of Art, CSU, gift of the artist, 2018.12.3
Gregory Allicar Museum of Art