Dialogue with Power , 2017

The visual arts are a primary means of conveying ideas about power. This can take the form of portraiture, religious iconography, and the decorative arts, examples of which surround you in this room. Displaying objects in public and private settings puts the viewer in dialogue with questions of social status, gender relations, and religious practice.
Most of the articles in this room were intended for display in households, ranging from the homes of middle-class merchants to the palaces of royal families. In each case they articulated their role as ritual objects to inscribe and maintain power. Consider the ways in which the theme of power speaks across cultures as evidenced by the displays in adjacent rooms as well.

Mehr von Gregory Allicar Museum of Art

Hirakawa bashi [Hirakawa Bridge] , 1929
16 x 11 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.77
Gregory Allicar Museum of Art
Grand Canyon , 1925
10.5 x 15.8 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.65
Gregory Allicar Museum of Art
Untitled (tea harvesting in Shizuoka) , 1929
13.3 x 16.5 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.93
Gregory Allicar Museum of Art
Amache, Japanese-American Concentration Camp, Colorado, July 29, 1994 / A-1-10-1 , 1994
10.3 x 12.8 in (h x w)
Chromogenic Print
Gregory Allicar Museum of Art
Dali's Inferno , 1978
29.5 x 21.4 in (h x w)
Lithograph on paper; Gregory Allicar Museum of Art, CSU, gift of Joseph F. Lombardi/Franken Company, 1982.2.4
Gregory Allicar Museum of Art