Shadow Box #31 , 2006
21 x 21 x 5 in (h x w x d)
Glass and wood; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2009.2.4

"The Bell Studio describes the process as follows: 'Glass is typically covered with a film that has been treated with metallic particles. This process takes place in a vacuum chamber and involves vaporizing metal alloys that then settle on the glass.' Based upon the concentration of the coating, Bell is able to control both the reflective and transparent properties of the glass in order that both the viewer’s reflected image and the ambient environment become part of the piece."

Excerpt from 'Essential Forms: Intricate Meanings, Geometric Abstraction from the Permanent Collection' (June 29th - September 24th, 2010) by Linny Frickman

Mehr von Gregory Allicar Museum of Art

The Answer that Ended Creation F , 2011
18 x 13.3 x 13.6 in (h x w x d)
Ceramic and adobe brick; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2013.4.1
Gregory Allicar Museum of Art
Navajo Yei Rug , 20th century
35 x 47 x 1 in (h x w x d)
Vegetable dye on wool; Gregory Allicar Museum of Art, CSU, gift of Gus and Betty Gendler, 2014.2.9
Gregory Allicar Museum of Art
Courtney Egan intro panel
59.1 x 42 x 0.1 in (h x w x d)
Gregory Allicar Museum of Art
Memory , 2005
30 x 30 in (h x w)
Screen print on paper; Gregory Allicar Museum of Art, CSU, gift of the artist, 2007.6
Gregory Allicar Museum of Art
Blossom , 2009
18 x 14 in (h x w)
Color lithograph on paper; Gregory Allicar Museum of Art, CSU, in memory of Barbara Tisserat, by Ned Tisserat, Jan Leach, and Bruce Tisserat, 2018.22.74
Gregory Allicar Museum of Art