Painted bark cloth panel , 1970s
13.5 x 23 x 0.5 in (h x w x d)
Bark cloth with hand-painting; gift from the Herbert and Shelley Cole collection of African textiles, 2020.6.11

The Mbuti, or Bambuti, are thought to have lived in the Ituri rainforests in the Democratic Republic of Congo for several millennia. Mbuti individuals have historically deified the forest in which they lived, seeing it as the giver of all that was needed to thrive. Animals were also viewed as sacred, and this is seen in the hand-painted designs on bark cloth. Mbuti men create the fibrous bark cloth by beating strips of boiled inner tree bark with a hammer in order to make it thin and malleable. Women artists paint animal motifs and geometric designs with a fingerpaint made from blended charcoal milled with fruit juice. Once complete, panels such as these were historically worn as clothing, creating an intimate connection between the natural materials and motifs and the wearer.

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Hirakawa bashi [Hirakawa Bridge] , 1929
16 x 11 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.77
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Grand Canyon , 1925
10.5 x 15.8 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.65
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Untitled (tea harvesting in Shizuoka) , 1929
13.3 x 16.5 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Editha Todd Leonard, 1983.1.93
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Amache, Japanese-American Concentration Camp, Colorado, July 29, 1994 / A-1-10-1 , 1994
10.3 x 12.8 in (h x w)
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Gregory Allicar Museum of Art
Dali's Inferno , 1978
29.5 x 21.4 in (h x w)
Lithograph on paper; Gregory Allicar Museum of Art, CSU, gift of Joseph F. Lombardi/Franken Company, 1982.2.4
Gregory Allicar Museum of Art