This resin painting encapsulates elements of a spring day spent on the lane up to the Bronze Age camp. It also represents features of the other Planet Paintings from the show.

The work requires the materials to freely blend and bleed, evolving within the surrounding black background and are based on the colour pallet and compositions of the lanes and byways.

The thought in my mind is that through abstracting the natural patterns I hope to find a more universal language to describe how transient yet universally connected things are. The circular planet paintings are really the next step in attempting to encapsulate all within the whole.