In my work I primarily explore aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Through the use of collage and paint, I create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. The process of collage is a significant aspect of my work because it is a process of search, research, discovery, and problem-solving as I fuse and alter pieces from art history to develop a new narrative. These references and alterations are my way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.