Victoria’s work looks at the photographic image as a contested site of touch, a place to stage an intervention. She makes printed image objects that draw on historical, geological and ecological narratives, using photographic archives, photo transfer prints, and photoetchings to embody inner and outer landscapes- places where the imagined, the mineral and the human collide. The prints are often made in situ- developed and exposed in the spaces they depict. In this way she searches for an affective resonance and the enactment of the hand made- as a resistance to discourses of acceleration, the anthropocene and disappearance. In this encounter with place, she is looking for the entropic, what is beyond the map- spaces often used to delineate and demarcate the edges of cartographic drawings- to question and measure our relationship with ‘deep time’. In this series of print objects she has further explored the constructed landscape as a way of restaging and reframing her encounter with the outside, and to find what lies between the folds of memory and our experience of place.