Moxhay’s works moves fluently between real and illusionary space, between idealized and dystopian environments. Her latest work features broken down interiors, creating hybrid spaces that merge inside and out, juxtaposing the intimate and the undomesticated and take on the quality of an empty stage set. Sourced from photographs, prints in old magazines and painted elements, fragments are physically collaged and constructed, re-photographed and digitally manipulated, creating a space between the original material and the staged or theatrical. The artist’s world is at once familiar and uncanny, and as with film, requests that the viewer embarks with a suspension of disbelief.
Moxhay is a graduate of the Royal Academy Schools and has exhibited widely, both nationally and internationally, since 2002. Her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, Corriere della Sera, Liberation, The Wall Street Journal, A-N Magazine, Art World Magazine and Aesthetica and has been profiled and interviewed on the BBC Culture Show.
Exhibitions include ‘GSK Contemporary: Earth Art of a Changing World’ and 'Constructed Landscapes' at the Royal Academy of Arts, ‘Saatchi’s New Sensations’ in London and 'Model Naturen' which toured public galleries in Germany