TIME , 2021
96 x 96 in (h x w)
Mixed media

24" x 24"
My use and experimentation with a variety of materials continues to dominate the surface quality of my work. My attraction to the sensuous quality of charcoal and reflective attributes of metallic pigments, accentuates the depiction of a disappearing landscape. My chosen materials are not only appealing for their visual qualities; but symbolically conveys a reference to hermetically sealing the image from reality- to protect the vulnerable landscape.
The ecological crisis has created new forms of inequality. Most recently, during the current era of disinformation and extremism; the relationships between the disappearing natural environment, inequality and how fragile democracy can be- has been highlighted. The interconnectedness between social inequalities and the environment; can no longer be denied. Further, the current pandemic has underscored the relationships. Moreover, the history of Manifest Destiny and the current environmental concerns are certainly intertwined. The concept of Manifest Destiny in the 19th century in America has its roots in American exceptionalism. This belief flourished and provided a clear path to justify American territorial and economic expansion- at any cost-without any guilt. The effects of Manifest Destiny are clearly evident today; permeating every aspect of American culture.
The desire and ability for humans to participate in a simulated world may contribute to the lack of desire and apathy regarding environmental considerations or a reimagined world.

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