Boy in Boat, Gloucester , 1880/81
23.2 x 34.9 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor and scraping, over graphite, on moderately thick, rough-textured, ivory wove paper

Homer began Boy in Boat, Gloucester while staying at the lighthouse on Ten Pound Island in the harbor of the fishing town Gloucester, Massachusetts. During his time in Gloucester, the artist frequently depicted local boys playing on boats, fishing, and waiting for their fathers to return from the sea. In this watercolor he began experimenting with scraping, revealing the white of the paper to create highlights in the large rock at right. Furthermore, he was developing his skill in transparent watercolor, which he used to great effect for the reflective surface of the water.

Exhibited by:

The Wanderlust Museum

Other works by Winslow Homer

The Lone Boat, North Woods Club, Adirondacks , 1892
38.5 x 54.4 x 1 cm (h x w x d)
Watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper
The Wanderlust Museum
Prout’s Neck, Evening , c. 1894
35.9 x 53.6 x 1 cm (h x w x d)
Watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed)
The Wanderlust Museum
The Return, Tynemouth (recto) Study (verso) , 1881
34.2 x 34.3 x 1 cm (h x w x d)
Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed)
The Wanderlust Museum
Two Boys Watching Schooners , 1880
22.7 x 34 x 1 cm (h x w x d)
Watercolor, with graphite, on moderately thick, rough-textured, ivory wove paper
The Wanderlust Museum
Prout’s Neck, Breakers , 1883
38.1 x 54.6 x 1 cm (h x w x d)
Watercolor, with blotting and sanding, over charcoal, on moderately thick, moderately textured, ivory wove paper
The Wanderlust Museum

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