HRW's botanical motifs could be seen as an excursion from his earlier landscape sketches, which with further exploration of form then became more and more reduced until, with a playful drawing within, they summarize the idea of the leaf in a visual block. In the work '2021-140 Spontaneous Supplements' this is fascinating to observe. Matisse and his Oceania murals come to mind when viewing the work. The balanced size and block-like arrangement in HRW's work results in a visual pacing, a pattern that yet does not come across as repetitive, but plays with slight variations in form and an extremely balanced color weighting. A rhythmic lightness develops on the pale ground, allowing a single form to become a whole statement. The formal language is once again coded: bodies emerge from crossing lines, reminiscent of certain cut-outs by the master, but resulting out of digital drawing techniques. They are reduced in line, background and their internal color, like molecular cuisine, and yet immediately evoke by association the original impression, including the quoted one. HRW arranges the individual components in a grid that gives them support and distance, yet integrates them into an entire work of art.