On the canvas of my 40-part series of works, a world unfolds that is built entirely from the
building blocks of my imagination. A world in which faces are missing, because what
captivates me is the play with the hidden, the question of the hidden humanity behind the
virtual facade. In this unreal biosphere, figures appear in protective suits as if they were
visitors from another dimension. The boundary between fiction and reality is blurring, a
leitmotif that runs through my 40-part series "Pose" like an invisible but omnipresent
thread.
My fascination is dancing with the imagery of consumer fetishism, a game in which I
consciously blur the lines between protection and obsession. The figures in my works are
depersonalized beings, reduced to objects that carry a universal message in their
anonymity. They are like superheroes or villains who seem to jump straight out of the
pages of a comic book and meet the viewer in a mixture of tragedy and comedy.
Sometimes in contrast, sometimes in harmony with their surroundings, they are a
reflection of our own ambivalence towards the world in which we live.