Zsolt Berszán treats the first layer of the painting as a substrate, as a surface on which something is deposited or inscribed. In this way the multiple layers of silicone or adhesive forms structures reminding us of the integrated circuits or internal human organs. It is a disruption of the system and order, a violation of the limits that draws attention to the "fragility of life".

The confrontation with the materiality of Berszán's works brings us to the idea of the beginning of life, but also the end, the death. The organic nature of the used materials transmits a sense of strangeness, a mystery exploring the primordial boom, the moment of awareness of the real existence and the rejection of death. It is the fight of the individual against his dissolution.