Teomama , 2017
59 x 79 in (h x w)
5000 USD
performance video

Edition of 5

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Alicia Smith is a Xicana artist and activist. She describes her work as “using her ancestors’ prayer technologies and the abject as tools to access the sublime towards the creation of new ceremonies for the present.” Smith’s work involves a re-forging of bonds with the past and the future through an ethics of kinship between the human and non-human.

Smith received her BFA from the University of Oklahoma and her MFA at the School of Visual Arts. Her work is included in private and public collections including the Whitney Museum of American Art, New York. She has exhibited at A.I.R. Gallery, Grace Exhibition Space and the University of Connecticut among other venues.

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Teomama in Nahuatl means “God Carrier. It was the name given to our medicine men and women who carried the bones of Huitzilopochtli from Aztlan to Tenochtitlan, present day Mexico City. You might recognize this composition, it is the image on the Mexican flag, an image of a prophecy. The Teomamas carried the medicine bundles for 200 years down into Anahuac valley waiting for a sign and it was when they reached Lake Texcoco they finally saw it. An eagle eating a snake on a prickly pear cactus, a union of sky and earth, so they knew it was safe to build their city here. And so they did, on the lake.

In this piece I act as the Teomama, carrying the female hawk on my back and I am Tenochtitlan, the land, my garment and hair disappear into the water and the light reflected on it. Melissa K. Nelson, an Anishinaabe cultural ecologist talks about the Native Woman’s body that in so many stories acts as a kind of meeting place, a contact zone, between the human and more-than-human life which establishes an ethic of kinship between my body, the water and the sky. My ancestors long understood the abject was a tool for accessing the sublime. In this piece I am the Cuauhxicalli, the offering stone, the one
who holds the heart cut from the sacrificed. This is a hawk, eating a quail and it is a blood transfusion to the cosmos. This is not the nature we want to see. But the earth is hungry.

Exhibited by:

Accola Griefen Fine Art

Other works by Alicia Smith

Hueatoyatzintli Relic , 2021
44 x 20 in (h x w)
Mixed media
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Hueatoyatzintli , 2019
79 x 119 in (h x w)
Performance for Video
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USD
5000.00

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