Evening , 1929
5 x 7 in (h x w)
Aquatint with etching and drypoint on laid paper; collection of Ora Hatton Shay

In the late 1920s, Hatton studied aquatint and etching at the Rockport Art Association Summer School of Art in Rockport, Massachusetts, with Albert Thayer, a New England painter and printmaker. Among Hatton’s earliest intaglio works, Evening depicts a New England fishing scene and was created under Thayer’s tutelage. The aquatint technique is notable for its ability to produce a full range of tone by controlling how long a particular area of the plate is etched in the acid bath--the longer the exposure, the darker the area will print. The numerals appearing on the annotated study for Evening indicate the number of minutes the corresponding areas needed to be submerged in the acid in order to achieve the desired tone. Once etched for the prescribed duration, an area is covered with a varnish that renders it impervious to the acid during subsequent submersions.

More from Gregory Allicar Museum of Art

Multi-Tonations of Anomalies, from "Chromatherapy" , 1979–2004
10 x 18 in (h x w)
Chromogenic print; Gregory Allicar Museum of Art, CSU, gift of the artist, 2017.5.1
Gregory Allicar Museum of Art
Untitled , 1985
20 x 14.5 in (h x w)
Color woodcut on paper; Gregory Allicar Museum of Art, CSU, gift of Linny and Elmo Frickman, 2018.2.22
Gregory Allicar Museum of Art
Mario Borsato , 1980
4.3 x 3.4 in (h x w)
Polaroid; Gregory Allicar Museum of Art, CSU, the Andy Warhol Foundation for the Visual Arts, Inc., 2008.4.62
Gregory Allicar Museum of Art
Mario Borsato , 1980
4.3 x 3.4 in (h x w)
Polaroid; Gregory Allicar Museum of Art, CSU, the Andy Warhol Foundation for the Visual Arts, Inc., 2008.4.51
Gregory Allicar Museum of Art
Mario Borsato , 1980
3.4 x 4.3 in (h x w)
Polaroid; Gregory Allicar Museum of Art, CSU, the Andy Warhol Foundation for the Visual Arts, Inc., 2008.4.63
Gregory Allicar Museum of Art