Cameo Corner , 1919
83 x 55.5 cm (h x w)
Lithographic poster

© David Bomberg estate

Originally printed by W R Frick, a Smithfields lithographer, then reproduced in a limited edition of 150 in 1983, this poster was commissioned by the Polish-Jewish poet Moshe Oved (Edward Goodack, aka Good), a founder member of the Ben Uri Art Society, as an advertisement. Oved's jewellery shop 'Cameo Corner', at 1 New Oxford Street, offered 'all sorts of barbaric and beautiful things ... at prices within reach of all', and numbered Queen Mary among its customers. The model in the foreground, seen stringing 'rare beads', is Bomberg's first wife, Alice Mayes. Pictorial devices, such as the bold bissection of the background, and retention of sharp-edged geometric forms, can be found in contemporaneous works including the painting Ghetto Theatre (1920) and the gouache Canal Bank, France (1920).

Exhibited by:

Ben Uri Research Unit

More from Ben Uri Research Unit

Woman with Two Children , 1955
76 x 54 cm (h x w)
Oil on paper
Ben Uri Research Unit
Young Woman in White Shift , 1955-58
62 x 56 cm (h x w)
Oil on paper
Ben Uri Research Unit
Couple with Infant , 1956
75 x 56 cm (h x w)
Oil on paper
Ben Uri Research Unit
Two Seated Figures , 1952
9.5 x 14.5 cm (h x w)
Pen and ink and wash on paper
Ben Uri Research Unit
Tribute to Goya's Black Pictures (aka In Memory of the Fighters of the Warsaw Ghetto, aka Auschwitz) , 1974, reworked 1998
119.4 x 91.4 cm (h x w)
Oil and Mixed Media on Canvas
Ben Uri Research Unit