Cameo Corner , 1919
83 x 55.5 cm (h x w)
Lithographic poster

© David Bomberg estate

Originally printed by W R Frick, a Smithfields lithographer, then reproduced in a limited edition of 150 in 1983, this poster was commissioned by the Polish-Jewish poet Moshe Oved (Edward Goodack, aka Good), a founder member of the Ben Uri Art Society, as an advertisement. Oved's jewellery shop 'Cameo Corner', at 1 New Oxford Street, offered 'all sorts of barbaric and beautiful things ... at prices within reach of all', and numbered Queen Mary among its customers. The model in the foreground, seen stringing 'rare beads', is Bomberg's first wife, Alice Mayes. Pictorial devices, such as the bold bissection of the background, and retention of sharp-edged geometric forms, can be found in contemporaneous works including the painting Ghetto Theatre (1920) and the gouache Canal Bank, France (1920).

Exhibited by:

Ben Uri Research Unit

More from Ben Uri Research Unit

Nude in Slumber , 1920
42.4 x 27.9 cm (h x w)
Pencil on paper
Ben Uri Research Unit
Design for a Programme (Pioneers) , 1920
38 x 30 cm (h x w)
charcoal, Gouache and pencil on paper
Ben Uri Research Unit
West Indian Waitresses , 1955
76 x 55 cm (h x w)
Oil on paper
Ben Uri Research Unit
Two Women and Child , 1913
31.5 x 24 cm (h x w)
Coloured pencil on paper
Ben Uri Research Unit
Torremolinos, South of Spain , 1947
45 x 62.5 cm (h x w)
Watercolour on paper
Ben Uri Research Unit