Portrait of a Gypsy , 1917
44 x 31 cm (h x w)
Pastel and Chalk on Paper

© The William Roberts Society, London

The sitter in Kramer's Portrait of a Gypsy' is his sister, Sarah (who married the artist William Roberts). She recalled starting to sit for her brother when she was thirteen, 'usually done up as a Gypsy girl. He did lots of pastels which were bought as they were done by a firm in Bradford called Matthews and Brooke, and the proceeds from these seemed to keep all of us although they were only about a pound a time. Jacob was easy to sit to and the sittings did not last long; but though so many were produced they are now difficult to find' (Sarah Roberts, 'Memories of Jacob', in 'Jacob Kramer reassessed (London: Ben Uri Gallery, 1984), p. 15). The gypsy motif had been popularised by Augustus John, particularly in his studies of his partner and muse Dorelia McNeill, and expressed a longing for the freedoms of a pre-industrial age.

Exhibited by:

Ben Uri Research Unit

More from Ben Uri Research Unit

The Entrance of Columbine , 1963
76.2 x 55.9 cm (h x w)
Oil on board
Ben Uri Research Unit
Polichinelle (The Red Punch) , 1963
101.6 x 76.2 cm (h x w)
Acrylic on hardboard
Ben Uri Research Unit
Punch and Judy , 1963
45.7 x 63.5 cm (h x w)
Oil on board
Ben Uri Research Unit
Confrontation Bergamasque , c. 1963
50.8 x 61 cm (h x w)
Cryla-colour on board
Ben Uri Research Unit
The Austrian Harlequin , 1962
61 x 50.8 cm (h x w)
P.V.A./Casein on paper mounted to board
Ben Uri Research Unit