Shadow Box #31 , 2006
21 x 21 x 5 in (h x w x d)
Glass and wood; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2009.2.4

"The Bell Studio describes the process as follows: 'Glass is typically covered with a film that has been treated with metallic particles. This process takes place in a vacuum chamber and involves vaporizing metal alloys that then settle on the glass.' Based upon the concentration of the coating, Bell is able to control both the reflective and transparent properties of the glass in order that both the viewer’s reflected image and the ambient environment become part of the piece."

Excerpt from 'Essential Forms: Intricate Meanings, Geometric Abstraction from the Permanent Collection' (June 29th - September 24th, 2010) by Linny Frickman

More from Gregory Allicar Museum of Art

Sleepwalkers , 2012
48 x 72 in (h x w)
HD digital video projection loop
Gregory Allicar Museum of Art
Adinkra stamps , 20th century
6.7 x 12 x 12 in (h x w x d)
Gourd and wood with metal wire; Gregory Allicar Museum of Art, CSU, gift of Michael and Patricia Coronel, RA2015.15.2.1-23
Gregory Allicar Museum of Art
Self-Fulfilling Prophecy , 2019
48 x 60 x 5 in (h x w x d)
HD video projection loop, cast ceramic arms; courtesy of the artist
Gregory Allicar Museum of Art
Adinkra [stamped funerary cloth] , ca. 1970
62.5 x 42 x 1 in (h x w x d)
cotton, Embroidery, thread, chemical and natural dyes; Gregory Allicar Museum of Art, CSU, gift of Michael and Patricia Coronel, 2015.15.2
Gregory Allicar Museum of Art
Extensive Aura Balance, from Chromotherapy , 1980-2004
12.8 x 19 in (h x w)
Chromogenic print; Gregory Allicar Museum of Art, CSU, gift of the artist, 2017.5.16
Gregory Allicar Museum of Art