Season's Greetings , 1941
4 x 2.2 in (h x w)
Etching on wove paper; collection of Ora Hatton Shay

The making and exchanging of prints as holiday greeting cards is a longstanding tradition among printmakers. The practice was particularly popular among American printmakers in the 1930s and 1940s and is one which Hatton maintained throughout her career. Collectively, Hatton’s seasonal greeting cards are notable for the thought and care the artist took in their design and creation and the wide range of printmaking techniques she employed. Often, artists repurposed imagery from an existing print of a seasonally appropriate subject, such as a snow scene, scaling down the design to fit the card’s smaller format. Sometimes, existing prints were merely reproduced photomechanically and printed at a suitably smaller scale. Hatton, on the other hand, generally used imagery that she created specifically for the occasion.

Other works by Clara Hatton

Study for Evening , ca. 1929
10.8 x 8.2 in (h x w)
Ink with graphite on wove paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Study for Evening , ca. 1929
9.5 x 7.8 in (h x w)
Graphite on wove paper; collection or Ora Hatton Shay
Gregory Allicar Museum of Art
Evening , 1929
5 x 7 in (h x w)
Aquatint with etching and drypoint on laid paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Pine and Aspens , 1930s
20 x 23.8 in (h x w)
Oil on linen over paperboard; collection of Don and Carol Hatton
Gregory Allicar Museum of Art
Picking Dandelions , 1928
10.8 x 13.8 in (h x w)
Oil on paperboard; collection of Don and Carol Hatton
Gregory Allicar Museum of Art

More from Gregory Allicar Museum of Art

Kuh Wagon , 1935
4.3 x 6.3 in (h x w)
Engraving on laid paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Tree in Winter , ca. 1932
7 x 5 in (h x w)
Etching on wove paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Windy Monday , 1930s
7 x 9.1 in (h x w)
Linoleum cut on mulberry paper
Gregory Allicar Museum of Art
Barn and Yucca , 1930s
5 x 7 in (h x w)
Etching on aquatint with drypoint on laid paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Study for Evening , ca. 1929
10.8 x 8.2 in (h x w)
Ink with graphite on wove paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art