Cameo Corner , 1919
83 x 55.5 cm (h x w)
Lithographic poster

© David Bomberg estate

Originally printed by W R Frick, a Smithfields lithographer, then reproduced in a limited edition of 150 in 1983, this poster was commissioned by the Polish-Jewish poet Moshe Oved (Edward Goodack, aka Good), a founder member of the Ben Uri Art Society, as an advertisement. Oved's jewellery shop 'Cameo Corner', at 1 New Oxford Street, offered 'all sorts of barbaric and beautiful things ... at prices within reach of all', and numbered Queen Mary among its customers. The model in the foreground, seen stringing 'rare beads', is Bomberg's first wife, Alice Mayes. Pictorial devices, such as the bold bissection of the background, and retention of sharp-edged geometric forms, can be found in contemporaneous works including the painting Ghetto Theatre (1920) and the gouache Canal Bank, France (1920).

Exhibited by:

Ben Uri Research Unit

Other works by David Bomberg (1890-1957)

Study for Ghetto Theatre I , c. 1919
26.4 x 19.4 cm (h x w)
Pencil, ink and wash on paper
Ben Uri Research Unit
Ghetto Theatre , 1920
74.4 x 62 cm (h x w)
Oil on canvas
Ben Uri Research Unit

More from Ben Uri Research Unit

Icon , 2021
20 x 15 cm (h x w)
Mixed media
Ben Uri Research Unit
Letter , 2021
48 x 60 cm (h x w)
Collage
Ben Uri Research Unit
Border , 2018
33 x 69 cm (h x w)
Collage
Ben Uri Research Unit
On the Way , 2020
12 x 30 cm (h x w)
acrylic and gouache on paper
Ben Uri Research Unit
Tom's Midnight Garden
59 x 48 cm (h x w)
Oil on board
Ben Uri Research Unit