River at Night , 1963
20.3 x 29.2 cm (h x w)
Gouache and PVA

Private Collection
© Estate of Alfred Cohen 2020

Painting is always concerned with effects of light; but only a few artists - De La Tour, Turner, Monet, among them - try to capture the light itself. Cohen was especially drawn to dawns and dusks; sunrises and sunsets, when the change in light is most extreme, and darkness and dazzle coexist. As in this painting and The River, both created soon after the Aspects of the Thames pictures, where he is a painter of sun and shadow, radiance and night-vision.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

The Entrance of Columbine , 1963
76.2 x 55.9 cm (h x w)
Oil on board
Ben Uri Research Unit
Polichinelle (The Red Punch) , 1963
101.6 x 76.2 cm (h x w)
Acrylic on hardboard
Ben Uri Research Unit
Punch and Judy , 1963
45.7 x 63.5 cm (h x w)
Oil on board
Ben Uri Research Unit
Confrontation Bergamasque , c. 1963
50.8 x 61 cm (h x w)
Cryla-colour on board
Ben Uri Research Unit
The Austrian Harlequin , 1962
61 x 50.8 cm (h x w)
P.V.A./Casein on paper mounted to board
Ben Uri Research Unit

More from Ben Uri Research Unit

Confiscation , 2022
165 x 140 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Burnt Histories: Thea , 2017
30 x 40 cm (h x w)
Mixed media
Ben Uri Research Unit
Rhea , 2017
35 x 32 cm (h x w)
Mixed media
Ben Uri Research Unit
Burnt Histories , 2017
41 x 58 cm (h x w)
Mixed media
Ben Uri Research Unit
The Application , 2021
140 x 139 cm (h x w)
Oil on canvas
Ben Uri Research Unit