In the realization of the sculptural work he relies on the pleasure of molding primitive materials such as the earth which he assembles and amalgamates with more modern generation materials to forge medium-sized sculptures, in terracotta or raku ceramic, whose formal results are oriented towards a dialectical synthesis which accentuates the plasticity of the volumes, where the pictorial element is to be read as a creative act of primordial and instinctive gestures.