...considering that theoretically ‘colour’ doesn’t exist (as it’s a refraction of light), I suppose I use it as a tone or ‘shade’ to both differentiate forms and create ambiguity of space.
The work is part of a continuing series (started in 1993) on ‘va I ta’, referencing two pre-Christian roads in Samoa (the man’s side and the woman’s side) and
sustainability of customary practise (tia seu Lupe and ifoga)...