Iyoba Idia Esigie , 20th Century
h = 28 in
Ivory

Emblem of the Second World Black Festival of Arts and Cultures (FESTAC) 1977 Iyoba Idia’s visage is the most widely known face of an African royal woman after the Egyptian Queen, Ahmose-Nefertari. Her face has gazed on us from countless museum pedestals the world over. Idia’s face was immortalized in the sixteenth century ivory mask presently in the British Museum. It became famous when the Nigerian government chose it as the emblem for the Second World Black Festival of Arts and Cultures (FESTAC) Nigeria hosted in 1977. The visibility of the mask increased when the British Museum refused to release it on loan to Nigeria after tow million pounds, which the put up. Oba Akenzua the second broke the impasse by commissioning the Igbesanvan (ivory carvers gild) to produce two replica of the Idia mask that has been looted by the British soldiers of the 1897. The fine workmanship of the replicas established that modern Benin ivory carvers are consummate artists, as their forebearers.

Autres œuvres de Benin, Nigeria

Queen Eden , 20th century
h = 28 in
Bronze
Pan African Heritage Museum
Iyoba Idia Isegie , 20th century
h = 28 in
Bronze
Pan African Heritage Museum
Iyoba Idia Esigie , 20th century
h = 28 in
Bronze
Pan African Heritage Museum
Oba Ewuare , 19th century
h = 28 in
Bronze
Pan African Heritage Museum
Oba Oguola , 19th century
h = 28 in
Bronze
Pan African Heritage Museum

Plus de Pan African Heritage Museum

The Mask
h = 350 cm
Acrylic, metal on wood
Pan African Heritage Museum
Celia , 2017
h = 350 cm
Oil on canvas
Pan African Heritage Museum
Straghteners Ôleo / lienzo. , 2012
h = 350 cm
Painting
Pan African Heritage Museum
Hanging tree , 2018
h = 350 cm
Pencil mixt media
Pan African Heritage Museum
I Haiti , 2018
h = 350 cm
Acrylic on canvas
Pan African Heritage Museum