Lone Light , 2022
250 GBP
Mixed Media

30 x 30 cm

This connects to me with utopia as it believes to be a world of perfection in which a world can’t exist as every avatar, identity, people have flaws with contradicting a perfect world. However, utopia to me having these flaws in an individual is special and intriguing and reveals good and bad that are challenges to people's like to have balance. An abstract wire figure depiction of me as an artist and identity based on mental health. Seen a mysterious with dark and good thoughts. clouded in the dark void but being the light, not giving up on people and staying focused on the good all the time despite being challenged and obstacles in the way. Easy to be consumed by bad thoughts and be a bad person. it is represented in this art piece and my other work shrouded in darkness but being the only light source and you. Modern-day art Visual depict and summarizes in colour and light we all should aspire to help others and be better than the bad in our world to protect the innocent and inspire the new generation in a spiritual image and identity.

As an artist I enjoy using a variety of media, often experimenting with distinctive styles and tones. I use photographic images as inspiration for my paintings. I use visual images to relate to day-to-day issues that are often hard for people to express and explain, such as mental health, diversity social anxiety, and how people reflect on them in their lives. I create a non-singular vision; each work could relate to a concept or theme, which could equally stand on its own.

My ideas are grounded. However, my imagery is dimensional so others may see this as fictional. These ideas could be seen as horror, fantasy, or surrealism. I develop them further using materials, techniques, and skills that can reflect personal life and growth and how people deal with them. The technique used in my latest work gives it a cinematography look, inverting and installing the images to some classic sci-fi and groundwork movies, with imagery from the modern day. My work has a sense of being both finished and unfinished, giving the impression I cannot identify what I am seeing and feeling. I use distinctive colours and light or dark tones to distinguish myself and my surroundings.

Limitations, flaws, faith, and uncontrolled emotions are specific interests of mine, as well as my use of a variety of non-conventional media including materials and the process of the art techniques.

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The FLUX Review

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