My work takes a panoptic and cinematic approach, is highly narrative and often installation based encompassing sculpture, textiles, print, video and sound.

Looking at our immersion within a dynamic world, my particular area of interest is annimal–human–plant interconnectivity and I endeavour to weave and merge linked evolutionary, reproductive processes and intra-dependence into my work.

An emphasis on connectivity, entanglement and mutation leads me to play with the notion of metamorphosis, choosing a palette of bright colours and an array of materials including clay, resin, glass, vegetation, fabric, metal and stone in a surprising juxtaposition of materials, to highlight discord and sometimes harmony. In the process of revealing the microscopic details of organic formations within nature, I expose the erosion of structures and the fragility of the remnants left behind.

With strong references to the body, connections between various manifestations of freedom and containment, control, tension and incongruity, I often reveal fluidity within structure.

Reflecting upon our present choices and its impact on our future existence, concerns reflect two paradigms – potentiality and actuality. In that sense, I challenge and experiment, attempting to determine how we can re-imagine a world where annimals, humans and plants can coevolve.