Josef Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.
As the seasons change, the colours in our surroundings bring different intensity and shift from beautiful to extraordinary. The students in Renaissance Junior Kindergarten 2 Debussy captured that remarkable change by creating impressive artworks inspired by their own perception of that fleeting procession of colours and sensations. During this project students used a variety of materials and techniques to leave a unique artistic impression, to explore, learn and build their experience with the world around them. We experimented with painting on real leaves, combined collage and painting, learned to use rollers to make prints of autumn leaves and strengthen our muscles. During the process we enforced our knowledge on primary, secondary and complementary colors and practiced mixing colors.