Rădvan's multifaceted self-portraits are also a reference to Narcissus, a mirroring of his own “I” in various interpretations. This is how the four self-portraits - "Self-portrait as a Cautious Hero"; "Self-portrait at the Beginning of History"; "Self-portrait at the Beginning of Time"; "Self-portrait as Marsyas" - are born, by representing an "I" enhanced. The rough, unveiled sexuality, often seeks the marginal, the exception, the abnormal, the fabulous.

Sexuality is used as a tool to give a milestone about the abyss, to create order in disorder. It is a fine-tone representation of a de-doubled "I", which is reinterpreting oneself with himself.