Evening , 1929
5 x 7 in (h x w)
Aquatint with etching and drypoint on laid paper; collection of Ora Hatton Shay

In the late 1920s, Hatton studied aquatint and etching at the Rockport Art Association Summer School of Art in Rockport, Massachusetts, with Albert Thayer, a New England painter and printmaker. Among Hatton’s earliest intaglio works, Evening depicts a New England fishing scene and was created under Thayer’s tutelage. The aquatint technique is notable for its ability to produce a full range of tone by controlling how long a particular area of the plate is etched in the acid bath--the longer the exposure, the darker the area will print. The numerals appearing on the annotated study for Evening indicate the number of minutes the corresponding areas needed to be submerged in the acid in order to achieve the desired tone. Once etched for the prescribed duration, an area is covered with a varnish that renders it impervious to the acid during subsequent submersions.

Plus de Gregory Allicar Museum of Art

Painted bark cloth panel , 1970s
11.5 x 26.5 x 0.5 in (h x w x d)
Bark cloth with hand-painting; gift from the Herbert and Shelley Cole collection of African textiles, 2020.6.12
Gregory Allicar Museum of Art
Painted bark cloth panel , 1970s
13.5 x 23 x 0.5 in (h x w x d)
Bark cloth with hand-painting; gift from the Herbert and Shelley Cole collection of African textiles, 2020.6.11
Gregory Allicar Museum of Art
Raffia cut pile panel / wrapper , 20th century
24 x 76 x 3 in (h x w x d)
Palm fibers with dye; gift from the Herbert and Shelley Cole collection of African textiles, 2020.6.3
Gregory Allicar Museum of Art
Raffia cloth panel / wrapper , 20th century
34 x 220 x 1 in (h x w x d)
Palm fibers with dye; gift from the Herbert and Shelley Cole collection of African textiles, 2020.6.5
Gregory Allicar Museum of Art
Title unidentified (formerly attributed as a self-portrait by Thomas Gainsborough) , 18th century
15 x 13 in (h x w)
Oil on canvas
Gregory Allicar Museum of Art