Evening , 1929
5 x 7 in (h x w)
Aquatint with etching and drypoint on laid paper; collection of Ora Hatton Shay

In the late 1920s, Hatton studied aquatint and etching at the Rockport Art Association Summer School of Art in Rockport, Massachusetts, with Albert Thayer, a New England painter and printmaker. Among Hatton’s earliest intaglio works, Evening depicts a New England fishing scene and was created under Thayer’s tutelage. The aquatint technique is notable for its ability to produce a full range of tone by controlling how long a particular area of the plate is etched in the acid bath--the longer the exposure, the darker the area will print. The numerals appearing on the annotated study for Evening indicate the number of minutes the corresponding areas needed to be submerged in the acid in order to achieve the desired tone. Once etched for the prescribed duration, an area is covered with a varnish that renders it impervious to the acid during subsequent submersions.

Plus de Gregory Allicar Museum of Art

In the Garden , 1979
28.8 x 21.1 in (h x w)
Lithograph on paper; Gregory Allicar Museum of Art, CSU, London Arts Group, 2006.146
Gregory Allicar Museum of Art
Soup Can , 1980
22.8 x 29.8 x 2.3 in (h x w x d)
Collage on paper with ink on paper; Gregory Allicar Museum of Art, CSU, gift of John and Kimiko Powers, 1991.1
Gregory Allicar Museum of Art
Boo Hoo , 2000
40.6 x 21.8 in (h x w)
Linoleum cut on paper; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2009.2.21
Gregory Allicar Museum of Art
Title unidentified , 1687
61.5 x 25.6 in (h x w)
Ink and watercolor on silk; Gregory Allicar Museum of Art, CSU, gift of Larry Hartford and Torleif Tandstad, 2016.1.139
Gregory Allicar Museum of Art
Pastoral or Arcadian State , 2006
23.8 x 39 in (h x w)
Lithograph on paper; Gregory Allicar Museum of Art, CSU, gift of Polly and Mark Addison, 2009.2.8
Gregory Allicar Museum of Art