Still life with floral arrangement and black pottery , 1940
14.8 x 18.1 in (h x w)
Watercolor with graphite on paper; collection of Susan Elizabeth Gillin

Hatton often painted still life compositions using flowers from the garden that her mother tended at their home on 416 S. Grant Street in Old Town Fort Collins. The blue vase in the foreground may have been fired by Hatton herself, but the black-on-black pot behind it was made by Maximiliana “Ana” Martinez, a potter from San Ildefonso Pueblo who was the older sister of famed potter Maria Martinez. Hatton had a long-standing interest in Native American art: she taught Native American art (as well as Mesoamerican and Asian art) in her art history courses long before other art programs included non-Western art in their surveys, and in the 1950s, she invited Maria Martinez to Fort Collins as a visiting artist. The inscription on this watercolor indicates it was a gift to her great-niece, Susan Elizabeth Gillin, forty years after Hatton had painted it.

Plus de Gregory Allicar Museum of Art

Title unknown (Virgin and child with the infant St. John) , 16th Century
36.5 x 28 x 2 in (h x w x d)
Oil on panel
Gregory Allicar Museum of Art
Title unknown (young girl in white) , 18th Century
12 x 12 x 2 in (h x w x d)
Oil on copper
Gregory Allicar Museum of Art
Title unknown (portrait of a young woman) , 19th Century
15.5 x 13 x 2 in (h x w x d)
Oil on canvas
Gregory Allicar Museum of Art
Life in China, The Feast of Lanterns , 19th Century
11.9 x 9 x 2 in (h x w x d)
Pen & Ink with Watercolor on paper
Gregory Allicar Museum of Art
Juno, Ceres, Venus after Raphael , 1781
14.9 x 11.9 x 2 in (h x w x d)
Gouache on Paper
Gregory Allicar Museum of Art