The Coster Woman , 1923
58.5 x 61 cm (h x w)
Oil

After visiting Paris in 1920, Gertler expressed his admiration for Renoir in a series of female portraits that reveal a sensuous interplay between the mellow skin tones and often highly coloured and elaborate costumes of his sitters. The flamboyant scarf and feathered hat identify this sitter as a "Coster", removed from her urban setting, relocated (like the artist himself) to Hampstead, and set against a backdrop of the Heath. The artist's family always believed the model to be Gertler's eldest sister, Debbie. The same model appears as the matriarch in The Coster Family on Hampstead Heath (1924, Tel Aviv Museum of Art). This painting formerly belonged to the English tenor Peter Pears. It was sold to pay for repairs following a fire at the Snape Maltings concert hall in Aldeburgh, Suffolk, that Pears had established with the composer Benjamin Britten.

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Ben Uri Research Unit

Autres œuvres de Mark Gertler (1891-1939)

The Creation of Eve , 1914
75 x 60 cm (h x w)
Oil on canvas
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Flowers in a Vase , 1918
68.5 x 55.8 cm (h x w)
Oil on canvas
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Black and White Cottage , 1914
49.5 x 34.5 cm (h x w)
Oil on canvas
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Study for the Coster Woman , 1924
32 x 26.6 cm (h x w)
Blue chalk on buff paper
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Half Nude Study (Helen Yellin) , 1923
23.3 x 25.5 cm (h x w)
black chalk on paper
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