Women of Allah 1 , 1997
29 x 23 in (h x w)
Ink on photograph

The intention of catering to a western audience is evident in Neshat’s photograph, as her consistent use of the Muslim veil symbolizes her subject’s connection to Islam, therefore the East. The Persian calligraphy symbolizes the only power a woman has in the patriarchal Islamic world, the power of thoughts and writing. Her use of the gun portrays a willingness to fight back against the power structure, by means of violence, echoing mainstream Muslims portrayal..

These elements position the Muslim woman as a subaltern entity in an archaic society. As a result, she remains restricted by her social, cultural, and religious praxis, literally covered by the cloth around her head.

In addition, the black-and-white look of this photo emphasizes Islam's primitivity and resistance to modernity that only worsens women's existence.

Exposé par :

Ali Bukhari

Plus de Ali Bukhari

Groupe des ulémas (Docteur en religion) , ca. 1870s
70 x 60 cm (h x w)
salted paper print
Ali Bukhari
Sultan Abdülaziz , 1863
170 x 115 cm (h x w)
albumen print
Ali Bukhari
Pasha and Bayadère , 1858
75 x 60 cm (h x w)
Albumen silver print
Ali Bukhari
Scene from Whiskey Tango Foxtrot , 2016
45 x 35 in (h x w)
Film camera
Ali Bukhari
La Priere , 1880-1890
40 x 60 cm (h x w)
Albumen paper process, signed in negative
Ali Bukhari