Cowboy Scene #17 , 2005
30 x 40 cm (h x w)
750 GBP
lysonic inkjet print with vinyl 2/10 unframed

Artists, Suky Best and Rory Hamilton collaborated on works exploring cowboy myths within western films. They investigated themes of heroism, romance, loneliness, drama and excitement. The work that has come out of this collaboration has a strong aesthetic flavour; it is hand worked, yet graphically clean. It uses strong stereotypes; while exposing their banality and frailty. Flat clear silhouettes replace the dusty blur of the wild west.

In these works only the hero or his companion (be they horse, tracker or love interest) are transcribed onto the finished image. All extraneous detail is removed. When a cowboy ties up a horse and walks into a building, the horse and rider are boldly drawn; any building only exists in negative when the rider walks behind a column. He defines the world around him.

Exposé par :

Danielle Arnaud

Plus de Danielle Arnaud

Past Time Is Finite, Future Time Is Infinite IX , 2015
30.5 x 40.5 cm (h x w)
giclee print on Hahnemuhle German Etch paper Edition of 5 + 1 A/P (price is for unframed print)
Danielle Arnaud
GBP
475.00
Past Time Is Finite, Future Time Is Infinite VI , 2015
30.5 x 40.5 cm (h x w)
giclee print on Hahnemuhle German Etch paper Edition of 5 + 1 A/P (price is for unframed print)
Danielle Arnaud
GBP
475.00
Past Time Is Finite, Future Time Is Infinite V , 2015
30.5 x 40.5 cm (h x w)
giclee print on Hahnemuhle German Etch paper Edition of 5 + 1 A/P (price is for unframed print)
Danielle Arnaud
GBP
475.00
A History Of The Receding Horizon , 2015
80 x 143 cm (h x w)
HD Video projection, Duration 28 mins Ed 5 + 1 A/P
Danielle Arnaud
GBP
7000.00
MAN RAY 2.0 (PUNK READY MADE) , 2020
60 x 40 cm (h x w)
Stainless steel, alluminium, tartan fabric, Historical Avant-garde 22 x 12 x 8 cm
Danielle Arnaud
GBP
5400.00