Rodeo #2 , 2008
75 x 100 cm (h x w)
750 GBP
screen print Ed 10

'Rodeo' is a series of three animations and five screen prints, continuing Suky Best & Rory Hamilton's collaboration exploring cowboy films. In 2005 they presented Wild West, five animations based on generic scenes extracted from these films. Unlike this previous work, where the action is described by the black silhouettes of the protagonists against a white background, Rodeo features the rider and bull or horse in vibrant, primary colour: red, yellow and blue. The power and emotion of the struggle between man and beast is heightened by the strong bold visuals. Also, in keeping with the traditional depictions of the rodeo, the animation either takes place in powerful, elegant slow motion or frantic real time. Eight seconds is the amount of time a bull rider must stay on to achieve a score.

This sport has its roots in Ancient Greece, as found in frescos in Knossos, and is obviously related to Spanish bullfighting; in Spanish, the word 'rodeo' means 'round up' or 'surround' as in cattle driving. The Spanish conquistadors introduced horsemanship contests to the New World during the late 1700s and early 1800s when Spain owned a large amount of the land that is now the American West.
The Mexican rodeo persists in a smaller way than the Americans' in the charreada, a show of horsemanship which includes bull and horse riding.

The Greek origin, as in Knossos, brings to mind the Minotaur. In the animations, the silhouettes created often seem to merge the forms of the man and the beast.

These references are re-enforced by the style of the animations: when seen as individual frames much of the animation is very abstract in form, creating hybrids of man and animal; the action only making sense when in motion. The moment the rider is thrown off, the forms tend to resemble a pile of rags before they coalesce into the familiar cowboy form once again.

Exposé par :

Danielle Arnaud

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