Evening , 1929
5 x 7 in (h x w)
Aquatint with etching and drypoint on laid paper; collection of Ora Hatton Shay

In the late 1920s, Hatton studied aquatint and etching at the Rockport Art Association Summer School of Art in Rockport, Massachusetts, with Albert Thayer, a New England painter and printmaker. Among Hatton’s earliest intaglio works, Evening depicts a New England fishing scene and was created under Thayer’s tutelage. The aquatint technique is notable for its ability to produce a full range of tone by controlling how long a particular area of the plate is etched in the acid bath--the longer the exposure, the darker the area will print. The numerals appearing on the annotated study for Evening indicate the number of minutes the corresponding areas needed to be submerged in the acid in order to achieve the desired tone. Once etched for the prescribed duration, an area is covered with a varnish that renders it impervious to the acid during subsequent submersions.

Other works by Clara Hatton

Barn and Yucca , 1930s
5 x 7 in (h x w)
Etching on aquatint with drypoint on laid paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Study for Evening , ca. 1929
10.8 x 8.2 in (h x w)
Ink with graphite on wove paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Study for Evening , ca. 1929
9.5 x 7.8 in (h x w)
Graphite on wove paper; collection or Ora Hatton Shay
Gregory Allicar Museum of Art
Pine and Aspens , 1930s
20 x 23.8 in (h x w)
Oil on linen over paperboard; collection of Don and Carol Hatton
Gregory Allicar Museum of Art
Picking Dandelions , 1928
10.8 x 13.8 in (h x w)
Oil on paperboard; collection of Don and Carol Hatton
Gregory Allicar Museum of Art

More from Gregory Allicar Museum of Art

Kuh Wagon , 1935
4.3 x 6.3 in (h x w)
Engraving on laid paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Tree in Winter , ca. 1932
7 x 5 in (h x w)
Etching on wove paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Windy Monday , 1930s
7 x 9.1 in (h x w)
Linoleum cut on mulberry paper
Gregory Allicar Museum of Art
Barn and Yucca , 1930s
5 x 7 in (h x w)
Etching on aquatint with drypoint on laid paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art
Study for Evening , ca. 1929
10.8 x 8.2 in (h x w)
Ink with graphite on wove paper; collection of Ora Hatton Shay
Gregory Allicar Museum of Art