Evening , 1929
5 x 7 in (h x w)
Aquatint with etching and drypoint on laid paper; collection of Ora Hatton Shay

In the late 1920s, Hatton studied aquatint and etching at the Rockport Art Association Summer School of Art in Rockport, Massachusetts, with Albert Thayer, a New England painter and printmaker. Among Hatton’s earliest intaglio works, Evening depicts a New England fishing scene and was created under Thayer’s tutelage. The aquatint technique is notable for its ability to produce a full range of tone by controlling how long a particular area of the plate is etched in the acid bath--the longer the exposure, the darker the area will print. The numerals appearing on the annotated study for Evening indicate the number of minutes the corresponding areas needed to be submerged in the acid in order to achieve the desired tone. Once etched for the prescribed duration, an area is covered with a varnish that renders it impervious to the acid during subsequent submersions.

More from Gregory Allicar Museum of Art

Global Encounters , 2017
Gregory Allicar Museum of Art
A Seascape depicting a Naval Battle between the British and Dutch off the Cape of Good Hope , 1870
32 x 48.5 x 3 in (h x w x d)
Oil on canvas on board
Gregory Allicar Museum of Art
Portrait of Mary of Modena, Duchess of York , 17th Century
96 x 50 x 4.5 in (h x w x d)
Oil on canvas
Gregory Allicar Museum of Art
View of Delphi with a Procession , 17th Century
62 x 84 x 3.5 in (h x w x d)
Oil on canvas
Gregory Allicar Museum of Art
His Highness Pakubuwono X, Susuhunan of Solo, the First Ranking Ruler of Java , 1928
85 x 64 x 2 in (h x w x d)
Fresco secco (tempera) on canvas with gold-leaf
Gregory Allicar Museum of Art