Evening , 1929
5 x 7 in (h x w)
Aquatint with etching and drypoint on laid paper; collection of Ora Hatton Shay

In the late 1920s, Hatton studied aquatint and etching at the Rockport Art Association Summer School of Art in Rockport, Massachusetts, with Albert Thayer, a New England painter and printmaker. Among Hatton’s earliest intaglio works, Evening depicts a New England fishing scene and was created under Thayer’s tutelage. The aquatint technique is notable for its ability to produce a full range of tone by controlling how long a particular area of the plate is etched in the acid bath--the longer the exposure, the darker the area will print. The numerals appearing on the annotated study for Evening indicate the number of minutes the corresponding areas needed to be submerged in the acid in order to achieve the desired tone. Once etched for the prescribed duration, an area is covered with a varnish that renders it impervious to the acid during subsequent submersions.

More from Gregory Allicar Museum of Art

Buddha of Phnom Penh, Cambodia , 2017
12 x 10 in (h x w)
Daguerréotype
Gregory Allicar Museum of Art
"Arely's Cosmetics" and "Pawn and Coin," from the "Nogales, Arizona/Sonora" series , 2017
8 x 10 in (h x w)
Daguerréotype
Gregory Allicar Museum of Art
Dante's View, Death Valley National Park, CA , 2016
8 x 10 in (h x w)
Daguerréotype
Gregory Allicar Museum of Art
Title unknown (Louis XIII of France) , 17th Century
18 x 13.4 x 2 in (h x w x d)
Oil on panel; Gregory Allicar Museum of Art, CSU, gift of Larry Hartford and Torleif Tandstad, 2016.1.12
Gregory Allicar Museum of Art
Title unidentified (A portrait of a gentleman) , 19th Century
29 x 24.5 x 2 in (h x w x d)
Oil on canvas
Gregory Allicar Museum of Art