Cameo Corner , 1919
83 x 55.5 cm (h x w)
Lithographic poster

© David Bomberg estate

Originally printed by W R Frick, a Smithfields lithographer, then reproduced in a limited edition of 150 in 1983, this poster was commissioned by the Polish-Jewish poet Moshe Oved (Edward Goodack, aka Good), a founder member of the Ben Uri Art Society, as an advertisement. Oved's jewellery shop 'Cameo Corner', at 1 New Oxford Street, offered 'all sorts of barbaric and beautiful things ... at prices within reach of all', and numbered Queen Mary among its customers. The model in the foreground, seen stringing 'rare beads', is Bomberg's first wife, Alice Mayes. Pictorial devices, such as the bold bissection of the background, and retention of sharp-edged geometric forms, can be found in contemporaneous works including the painting Ghetto Theatre (1920) and the gouache Canal Bank, France (1920).

Exhibited by:

Ben Uri Research Unit

Other works by David Bomberg (1890-1957)

The Broken Aqueduct, Wadi Kelt near Jericho , 1926
50.5 x 40.5 cm (h x w)
Oil on canvas
Ben Uri Research Unit
English Woman , 1920
59.5 x 49.5 cm (h x w)
Oil on canvas on board
Ben Uri Research Unit
At the Window , 1919
74.8 x 49 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Ronda, Spain , 1954-56
45.5 x 61 cm (h x w)
Charcoal on paper
Ben Uri Research Unit
Mount Zion and the Church of the Dormition, Jerusalem , 1923
60 x 49 cm (h x w)
Oil on canvas
Ben Uri Research Unit

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