Cameo Corner , 1919
83 x 55.5 cm (h x w)
Lithographic poster

© David Bomberg estate

Originally printed by W R Frick, a Smithfields lithographer, then reproduced in a limited edition of 150 in 1983, this poster was commissioned by the Polish-Jewish poet Moshe Oved (Edward Goodack, aka Good), a founder member of the Ben Uri Art Society, as an advertisement. Oved's jewellery shop 'Cameo Corner', at 1 New Oxford Street, offered 'all sorts of barbaric and beautiful things ... at prices within reach of all', and numbered Queen Mary among its customers. The model in the foreground, seen stringing 'rare beads', is Bomberg's first wife, Alice Mayes. Pictorial devices, such as the bold bissection of the background, and retention of sharp-edged geometric forms, can be found in contemporaneous works including the painting Ghetto Theatre (1920) and the gouache Canal Bank, France (1920).

Exhibited by:

Ben Uri Research Unit

Other works by David Bomberg (1890-1957)

Portrait of John Rodker , c. 1931
71.5 x 57 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Racehorses , 1913
41.5 x 66.2 cm (h x w)
Black chalk and wash on paper
Ben Uri Research Unit
The Studio , 1919
74.3 x 49 cm (h x w)
Oil on board
Ben Uri Research Unit
Ghetto Theatre, Study , c. 1920
31 x 41.5 cm (h x w)
Oil and pencil on paper on board
Ben Uri Research Unit
The Family (Study for Ghetto Theatre II) , 1919
25.4 x 19.7 cm (h x w)
Pencil, ink and wash on paper
Ben Uri Research Unit

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Looking Out , 2019
24 x 30 cm (h x w)
acrylic on canvas
Ben Uri Research Unit
On the Road , 2019
122 x 153 cm (h x w)
oil pastel and charcoal
Ben Uri Research Unit
Refugee Girl , 2020
10 x 32 cm (h x w)
Mixed media
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Crucifixion at the Border , 2018
90 x 74 cm (h x w)
oil and collage on board
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Early Morning , 2020
12 x 35 cm (h x w)
acrylic and pastel on paper
Ben Uri Research Unit