Cameo Corner , 1919
83 x 55.5 cm (h x w)
Lithographic poster

© David Bomberg estate

Originally printed by W R Frick, a Smithfields lithographer, then reproduced in a limited edition of 150 in 1983, this poster was commissioned by the Polish-Jewish poet Moshe Oved (Edward Goodack, aka Good), a founder member of the Ben Uri Art Society, as an advertisement. Oved's jewellery shop 'Cameo Corner', at 1 New Oxford Street, offered 'all sorts of barbaric and beautiful things ... at prices within reach of all', and numbered Queen Mary among its customers. The model in the foreground, seen stringing 'rare beads', is Bomberg's first wife, Alice Mayes. Pictorial devices, such as the bold bissection of the background, and retention of sharp-edged geometric forms, can be found in contemporaneous works including the painting Ghetto Theatre (1920) and the gouache Canal Bank, France (1920).

Exhibited by:

Ben Uri Research Unit

Other works by David Bomberg (1890-1957)

Armenian Church, Jerusalem , 1923
48.5 x 63 cm (h x w)
Charcoal and Mixed Chalks
Ben Uri Research Unit
Benchers Hall, Inner Temple , 1947
47 x 60 cm (h x w)
Charcoal on paper
Ben Uri Research Unit
Canal Bank, France , 1920
34.5 x 26.5 cm (h x w)
Gouache on Paper
Ben Uri Research Unit
Figure Composition , c. 1919-20
51 x 56 cm (h x w)
Pencil and watercolour on paper
Ben Uri Research Unit
Sappers Under Hill 60 , c. 1918-19
12 x 16 cm (h x w)
Pencil, ink and wash on paper
Ben Uri Research Unit

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Evening on the Road , 2019
16 x 45 cm (h x w)
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Border Post , 2021
30 x 40 cm (h x w)
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Dusk , 2021
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