Columbine et Docteur , 1963
35.6 x 50.8 cm (h x w)
Pen and ink and wash, heightened with white, with script

Collection: Max Saunders
© Estate of Alfred Cohen 2020

Daily Telegraph critic Terence Mullaly wrote of Cohen's 'notable' 1963 London exhibition:'The artist's technical achievements are formidable. The drawings, which like Domenico Tiepolo's on the same theme make use of a nervous pen line and wash, emphasize that Cohen is one of the best draughtsmen at work to-day. The oil […] employ a blaze of colour or smouldering tones to establish mood. Only Picasso in one or two early works has in our time touched such depths through the characters of the Commedia dell'Arte'.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

The Entrance of Columbine , 1963
76.2 x 55.9 cm (h x w)
Oil on board
Ben Uri Research Unit
Polichinelle (The Red Punch) , 1963
101.6 x 76.2 cm (h x w)
Acrylic on hardboard
Ben Uri Research Unit
Punch and Judy , 1963
45.7 x 63.5 cm (h x w)
Oil on board
Ben Uri Research Unit
Confrontation Bergamasque , c. 1963
50.8 x 61 cm (h x w)
Cryla-colour on board
Ben Uri Research Unit
The Austrian Harlequin , 1962
61 x 50.8 cm (h x w)
P.V.A./Casein on paper mounted to board
Ben Uri Research Unit

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Confiscation , 2022
165 x 140 cm (h x w)
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Burnt Histories: Thea , 2017
30 x 40 cm (h x w)
Mixed media
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Rhea , 2017
35 x 32 cm (h x w)
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Burnt Histories , 2017
41 x 58 cm (h x w)
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The Application , 2021
140 x 139 cm (h x w)
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