The Austrian Harlequin , 1962
61 x 50.8 cm (h x w)
P.V.A./Casein on paper mounted to board

Private Collection
© Estate of Alfred Cohen 2020

Many of Cohen’s male commedia dell’arte figures wear carnivalesque masks. Often it is hard to tell where the painted mask ends and the face – also painted – begins. Here, the Harlequin wears a half-mask, the animation of his eyes and mouth producing an uncanny effect.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

Abstract Landscape , 1964
25.7 x 29.9 cm (h x w)
Oil on board
Ben Uri Research Unit
Four Pictures from the Commedia dell’Arte , 1964
55.8 x 40.6 cm (h x w)
Ink and wash and gouache
Ben Uri Research Unit
The Entrance of Punch , 1963
101.6 x 81.3 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Columbine No. 1 , 1962
76.2 x 55.9 cm (h x w)
Oil on paper
Ben Uri Research Unit
Polichinelle Rex , 1963
101.6 x 81.3 cm (h x w)
Oil on canvas
Ben Uri Research Unit

More from Ben Uri Research Unit

Self-Portrait , 1904s
27 x 20.5 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Illustration to Tom’s Midnight Garden by Philippa Pearce
Watercolour on paper
Ben Uri Research Unit
Bishops Park with Two Figures , 1990s
59 x 48 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Welsh Village (in Memory of Heinz) , 1982
71 x 91 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Window in Tuscany
76 x 51 cm (h x w)
Oil on canvas
Ben Uri Research Unit