The Austrian Harlequin , 1962
61 x 50.8 cm (h x w)
P.V.A./Casein on paper mounted to board

Private Collection
© Estate of Alfred Cohen 2020

Many of Cohen’s male commedia dell’arte figures wear carnivalesque masks. Often it is hard to tell where the painted mask ends and the face – also painted – begins. Here, the Harlequin wears a half-mask, the animation of his eyes and mouth producing an uncanny effect.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

The Entrance of Columbine , 1963
76.2 x 55.9 cm (h x w)
Oil on board
Ben Uri Research Unit
Polichinelle (The Red Punch) , 1963
101.6 x 76.2 cm (h x w)
Acrylic on hardboard
Ben Uri Research Unit
Punch and Judy , 1963
45.7 x 63.5 cm (h x w)
Oil on board
Ben Uri Research Unit
Confrontation Bergamasque , c. 1963
50.8 x 61 cm (h x w)
Cryla-colour on board
Ben Uri Research Unit
The Victorian Punch , c. 1965
34.3 x 24.4 cm (h x w)
Pen and ink wash and gouache
Ben Uri Research Unit

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Confiscation , 2022
165 x 140 cm (h x w)
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Burnt Histories: Thea , 2017
30 x 40 cm (h x w)
Mixed media
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Rhea , 2017
35 x 32 cm (h x w)
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Burnt Histories , 2017
41 x 58 cm (h x w)
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140 x 139 cm (h x w)
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