Red Landscape in Kent , 1965
45.7 x 55.9 cm (h x w)
Oil on canvas

Alfred Cohen Art Foundation
© Estate of Alfred Cohen 2020

The heavy black outlines, free brushwork and rich palette evoke the work of Chaïm Soutine and Georges Rouault, whom Cohen especially admired. They also suggest stained glass, as the setting sun makes the landscape glow. We can make out the horizon, the sun, farm buildings, fields and vegetation. But Cohen takes his painting further towards abstraction, making it difficult to distinguish field from path, crops from grass or trees, earth from stubble. Instead, he is concerned with how the forms, colours, and textures compose themselves.

Exhibited by:

Ben Uri Research Unit

Other works by Alfred Cohen (1920-2001)

Four Pictures from the Commedia dell’Arte , 1964
55.8 x 40.6 cm (h x w)
Ink and wash and gouache
Ben Uri Research Unit
The Entrance of Punch , 1963
101.6 x 81.3 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Columbine No. 1 , 1962
76.2 x 55.9 cm (h x w)
Oil on paper
Ben Uri Research Unit
Polichinelle Rex , 1963
101.6 x 81.3 cm (h x w)
Oil on canvas
Ben Uri Research Unit
The Entrance of Columbine , 1963
76.2 x 55.9 cm (h x w)
Oil on board
Ben Uri Research Unit

More from Ben Uri Research Unit

Self-Portrait , 1904s
27 x 20.5 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Illustration to Tom’s Midnight Garden by Philippa Pearce
Watercolour on paper
Ben Uri Research Unit
Bishops Park with Two Figures , 1990s
59 x 48 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Welsh Village (in Memory of Heinz) , 1982
71 x 91 cm (h x w)
Oil on canvas
Ben Uri Research Unit
Window in Tuscany
76 x 51 cm (h x w)
Oil on canvas
Ben Uri Research Unit